「數位．編舞」
Sensing the Potential of Difference 
– a choreography of interconnectivity  

When  making performances and using technology,  other possibilities  emerge to the creators where the body and other media,  can perform together.  

This requires new considerations of inter relationship  developed between  these media as an expanded form of choreography; the dance between image, sound,  and moving bodies, in  the architectures  or the site of the performance. 

Each element needs separate yet simultaneous consideration 

For the performer this might be an expansion of their attention, to simultaneously feel connected not only to their own movements intention, rythmn  etc in relationship to  others that  they are dancing- performing with, but also to those elements of moving image projection, notions of scale,  human scale, screen scale,  and when to  allow one element  be that be the image, or the sound, or the movement  to have to space to be ‘heard’  or to ‘speak’ , to ‘dance,’  together or not. 

These  multiple considerations  offer  different sets of possibilites  and also expand the role of the choreographer and  equally the attention  and sensibilites of the performer. 

This then is the expansion of the choreography between  bodies, media, and architecure- stage.

When these relationship are also happening in ‘real-time’  through the use of connected technologies, computer  interfaces and software, the affects of this convergence between body and technology  can develop new kinds of dialogues If we consider this media, as another kind of ‘ body’  then as choreographers – directors – or makers, it makes sense to  consider  how these  bodies perform together.   

Hellen Sky

 - digital choreographer, performer, writer, director.      

Hellen Sky is an Australian digital choreographer / performer / director / writer. Her inter-disciplinary work bridges dance, performance, theatre, and installation extended through new technologies. She collaborates with artists, scientists, performers, composers, academics, designers, writers, architects, interface designers and programmers to develop scores and technology systems that often use real time data generated by the body to effect the relationship between multiple media to form total choreographies for live performance and installations. Hellen studied at the Australian Ballet School and at the Victorian College of the Arts. She was a member of the Australian Performing Group (Pram Factory) and a founding member of Circus Oz. She was co-founder of internationally recognized new media performance company, Company In Space, 1992–2004 (with John Mc Cormick); Fellow of the Australia Council Dance Fund 2004–06; Nominee of the Leonardo MIT, Rockerfeller Ford Foundation Global Crossing Award 05; and co-founder and Artistic Director of Dancehouse, Centre for Moving Arts, Melbourne from 1991–2001. 

"Hellen Sky’s transdisciplinary performances can be seen as the contemporary example of what Richard Wagner called Gesamtkunstwerk, or Total Artwork which aims to develop a non-linear live performance which poetically balances the capacity of story, dance, sound, image, light, spatial and costume design, and is mediated through real-time technology." (Melinda Rackham, Director, ANAT—Australian Network for Art and Technology)

"Hellen Sky is a visionary in the field of performance/technology truly a hybrid artist who creatively orchestrates physics, consciousness and aesthetics to create multi-dimensional transformative theatrical experiences … that integrates computer animation, motion capture and interactive technologies to poetically bridge the human  and the technological, the mundane and the lofty." (Ellen Bromberg, Director, The Center for Interdisciplinary Arts and Technology, University of Utah, USA)

"Hellen is very active worldwide and has a visible global influence (in Oceania, Europe and Asia). Her work combines the latest tele-media technologies, strong theoretical and choreographic craftsmanship, and stunningly beautiful performances" (Nisar Keshvani, Editor in Chief, LEA; Editor of Leonardo Global MIT)

上課日期

6月11﹣25日 
一三五日（1500﹣2200，兩節各三小時）
二四（1100﹣1800，兩節各三小時）

＊工作坊以英語進行

學費

MOP 3,000
MOP 4,000（二人同行）

名額

8 名
對象：專業編舞、舞者及形體演員

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